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© GoSee FASHION // 11 items in this blog // ADD TO MY GOSEE

DIESEL collection by Nicola Formichetti presentation at the LONDON show ROOMS Paris (04 Mar - 11 Mar 2015)

Creative director Nicola Formichetti continues to explore the DIESEL archive. For his fourth Tribute Collection, the designer focuses on one of the brand’s favorite inspirations – Sport, reinterpreted in a contemporary key. Nicola has declared London as the global hub of his new creative vision for the brand. The collection will be sold from September 2015 in selected stores worldwide. The Diesel Tribute collection will be previewed exclusively at the LONDON show ROOMS in collaboration with the British Fashion Council (BFC) from 4th to 11th March 2015 in Paris.

LONDON show ROOMS takes London’s leading emerging design talents to women's Paris Fashion Week for autumn/winter 2015, to increase their media presence and develop their businesses internationally.  More?

© YOUNGBLOOD by GoSee // 6 items in this blog // ADD TO MY GOSEE

GoSee is CHARLIE

American male model Cole Monahan (Elite Models Miami) is Charlie by Matthew Zink‘s latest #CharlieFan. The bubble butt - known for not being shy  AT ALL - wears underwear and beachwear from the Spring 2015 collection in the pin-up style imagery that pays homage to male models of the 80IEs. And we love his looks. charliebymz.com

© Deltagram // 5 items in this blog // ADD TO MY GOSEE

Deltagram postproduzieren für eine "Behind-the-Brand" Story von Urban Outfitters

Für eine "Behind-the-Brand" Reportage im Auftrag von Urban Outfitters portraitierte die Fotografin Rebekah Seok die Designerin Alice Ritter. Die Postproduktion, Lithografie und Retusche übernahm Marcus Christopher vom Bildbearbeitungsstudio Deltagram.

Client: Urban Outfitters
Photographer: Rebekah Seok
Post Production: Deltagram

© UCSmodels // 1 item in this blog // ADD TO MY GOSEE

Milan Fashion Week, Fall/Winter 2015: Sunday, March 1, 2015

Model: Leticia Kaneko 
Designer: Au Jour Le Jour

© GoSee FILM // 1 item in this blog // ADD TO MY GOSEE

GoSee loves ZDF NEO and German comedian super hero Jan Böhmermann. Enjoy his song 'V for Varoukakis'

Dear Greeks, the time has come: we surrender! Take all our money, you may also take Helene Fischer, but please, keep this financial Hercules off us. We could only just bear with Costa Cordalis so this is clearly way too much! V for victory ..... what else can we say. Famous quotes from the song 'V for Varoukakis' which hopefully will be nominated for the 'Grand Prix de la Chanson', nowadys called very neu-Deutsch 'Eurovision Song Contest' :


"From off in the distance there comes a man… Crazed seeking vengeance against our peaceful land!

Jacket collar raised, on a black motorbike… he puts the hell in Hellenic and wants to take our pride!

Yanis Varoufakis, Greek Minister of Awesome! He doesn’t negotiate, he simply kicks ass ....."

http://neomagazinroyale.de

© DCA Management // 11 items in this blog // ADD TO MY GOSEE

Thierry Le Goues shoots new editorial for French magazine issue 26 with Model Raica Oliveira

Stylism: Marcell Rocha
Hair: Nabil Harlow @B agency
Model: Raica Oliveira
Location: Ibiza
Client: French magazine issue 26
Enjoy !

© DBC - DRIVEN BY CREATIVES // 11 items in this blog // ADD TO MY GOSEE

NATURE MORTE - a movie created and realised by Sophia Magdalena Koegl and Robert Dziabel c/o DBC

Nature Morte (Film und Buch): Man kann Blinde nicht hypnotisieren Peut pas hypnotiser des aveugles.... Das Projekt von Sophia Magdalena Koegl befasst sich mit dem Phänomen der Hysterie und dessen Verbindung zur Fotografie. Die Suche nach der Verortung beginnt im Inneren des weiblichen Körpers, durchläuft die Geschichte des Anatomischen Theaters und beobachtet Jean-Martin Charcot bei seinen Aufzeichnungen im "Hôpital de la Salpêtrière", Paris. Von Heiligen und Huren, über Medien und Mediziner mündet die Arbeit in der Fotografie und der Kamera als Hypnosependel – im Film "Nature Morte" (Sophia Magdalena Koegel und Robert Dziabel, 2013)
 
  • Gebundene Ausgabe: 100 Seiten, 25 EUR via AMAZON
  • Verlag: Merz Akademie; Auflage: 500., Erste Auflage mit Buch und Film (DVD), sowie 4 Postkarten im Einband (24. November 2014)
  • Sprache: Deutsch, Französisch
  • ISBN-10: 3937982388
  • ISBN-13: 978-3937982380

© GoSee FILM // 1 item in this blog // ADD TO MY GOSEE

Shelly Nadashi wins the Videonale Award of the KfW Stiftung 2015. From the 38 video works nominated, the five-member jury unanimously selected the artist’s video work “A Hidden Quiet Pocket”

The members of the jury were: Steven Bode (Director Film and Video Umbrella London), Christian Jankowski (Artist and Award Winner VIDEONALE.14), Dr. Doris Krystof (Curator K21 Kunstsammlung NRW), Dr. Christoph Schreier (Deputy Director Kunstmuseum Bonn), Mike Stubbs (Director FACT London).

In its decision to award the Videonale Award of the KfW Stiftung, the jury stated:
“The work is of the moment –in its performative aesthetic, its directness and simplicity. It is also indicative that for some people in society, life is indeed a piece of cake. ‘A Hidden Quiet Pocket’ is a work about power relations, and an increasingly visible tension between the haves and the have-nots, whether winners and losers in the property market, or masters and servants in the service economy. For some, a hidden quiet pocket is a bubble of comfort and privilege; for others it a place in which they work but from which they are otherwise excluded. The body becomes a site for massaging and pampering, but also the invasion of personal space. The work is challenging, supple and extravagant in its use of language, but also visceral and unsettling, even sinister. It also evokes how we are all increasingly performing and consuming a service within an attention economy. We are please to give the prize to an emerging an artist and hope this helps her further develop her practice.”

Shelly Nadashi, born 1981 in Haifa ISR, lives and works in Paris. GoSee shows a still from "A Hidden Quiet Pocket" © Shelly Nadashi.

For the first time, with VIDEONALE.15, the Open Call for the Videonale competition featured a theme. With “The Call of the Wild”, Videonale asked what potential the concept of “the Wild” holds for the description and examination of the alien in the sense of unknown or till now unfamiliar fields of activity, image production or conceptual thinking. From the more than 1,200 submissions from 76 countries, 38 positions from 19 countries have been selected.

Artists VIDEONALE.15  are Janina Arendt, Udita Bhargava, Pauline Boudry & Renate Lorenz, Jenny Brady, Karolina Bregula, Wim Catrysse, Jos Diegel, Wojtek Doroszuk, Mahdi Fleifel, Christoph Faulhaber, Fabien Giraud & Raphaël Siboni, Shaun Gladwell, Philipp Gufler, Amina Handke, Constantin Hartenstein, Kerstin Honeit, Vika Kirchenbauer, Thomas Kneubühler, Ihra Lill, Lieux fictifs (diverse artists), Elin Magnusson, Rachel Mayeri, Marianna Milhorat, NEOZOON, O.N.L.S.D., Shelly Nadashi, Erkka Nissininen, Francois Nouguies, Alan Phelan, Christina Picchi, Florian Pugnaire & David Raffini, Mateusz Sadowski, The Otolith Group, Koen Theys, Anna Zett, Mikhail Zheleznikov, Tobias Yves Zintel.

Exhibition 30 Years-30 Voices, Part 2 Within the framework of VIDEONALE.15, the second part of “30 Years – 30 Voices” – the jubilee exhibition celebrating 30 years of Videonale Bonn – can be seen. Out of the wealth of works presented at the Videonale in the last 30 years, 30 companions, friends, artists and designers of the festival have put together and described a selection of works which they view as ground-breaking.  The artists of “30 Years-30 Voices, Part 2”: Victor Alimpiev, Breda Beban & Hrovje Horvatic, Janet Biggs, Manon de Boer, Ivo Dekovic, Cerith Wyn Evans, Ken Feingold, Jeanne C. Finley, Jaqueline Forzelius, Beate Geissler & Oliver Sann, Jean-Franҫois Guiton, Astrid Heibach, Annebarbe Kau, Dan Oki, Soc. Raffaello Sanzio, Evamaria Schaller, Herbert Wentscher.

VIDEONALE.15 27 February – 19 April 2015 at Kunstmuseum Bonn Further information about Videonale can be found on the website: v15.videonale.org Catalogue (in two languages) of VIDEONALE 2015, published by Revolver Publishing, ISBN 978-3-95763-248-7