Die Fahey/Klein Gallery widmet sich in der aktuellen Ausstellung Herbert List 'Young Men & Still Lifes' dem deutschen Fotografen und modernen Klassiker, der vor allem für seine surreal anmutenden Schwarzweiß-Fotografien bekannt ist. Angeregt von Andreas Feininger und unter dem Einfluss von Künstlern wie Giorgio de Chirico, Magritte und Man Ray, begann der gelernte Kaffeekaufmann 1930 ernsthaft selbst zu fotografieren. 1935 übergab er die Firma seines Vaters an seinem jüngeren Bruder und emigrierte nach Paris um der Verhaftung durch die Gestapo als Kritiker des NS-Systems zu entgehen. In Paris und London arbeitete u. a. für die Zeitschriften Verve, Vogue, Harper’s Bazaar und Life. Bis zum 31. August 2019 sind in der Galerie Stills und Portraits junger Männer zu sehen, die auf einer Griechenlandreise entstanden sind.
The Fahey/Klein Gallery is pleased to present Young Men & Still Lifes by German photographer, Herbert List --- The first exhibition of his legendary homoerotic male nudes in Los Angeles in over 25 years. List’s playful but austere, classically arranged compositions taken in Italy and Greece have become an indelible influence in modern and contemporary photography. Diary-like images of friends and still lives with found objects gave birth to a style that half a century later would influence fashion or lifestyle photography of masters like Bruce Weber or Herb Ritts.
Herbert List (1903 -1975) was born into a prosperous Hamburg merchant family and began an apprenticeship at a Heidelberg coffee dealer in 1921 while studying literature and art history at Heidelberg University. During travels for the coffee business between 1924-28, the young List began to take photographs, almost without any pretensions to art.
In 1930, though, his artistic leanings and connections to the European avant-garde brought him together with the American photographer Andreas Feininger, who introduced his new friend to the Rolleiflex, a more sophisticated camera that allowed a deliberate composition of images. Under the dual influence of the surrealist movement on the one hand, and of Bauhaus artists on the other, List photographed still life and his friends, developing his style. He has described his images as “composed visions where [my] arrangements try to capture the magical essence inhabiting and animating the world of appearances.”
After leaving Germany in 1936 in response to the danger of Nazi police attention to his openly gay lifestyle and his Jewish heritage, he turned his hobby into a profession. Working in Paris and London, he met George Hoyningen-Huene, who referred him to “Harper’s Bazaar”. Dissatisfied with the challenges of fashion photography and hired models, List instead focused on composing still lifes. The images produced there would later be compared to the paintings of Max Ernst and Giorgio de Chirico, and paved the way for List’s role as the most prominent photographer of the Fotografia Metafisica style.
Greece became List’s primary interest from 1937 to 1939. After his first visit to the antique temples, sculptures and landscapes, his first solo show opened in Paris in the summer of 1937. Publications in Life, Photographie, Verve and Harper’s Bazaar followed, and List began work on his first book, Licht über Hellas, which wasn’t published until 1953.
Working in Athens, List hoped to escape the war but was forced by invading troops to return to Germany in 1941. Because of his Jewish background, he was forbidden to publish or work officially in Germany. Several works, stored in a hotel in Paris, have been lost. In 1944 List was deployed by the German Wehrmacht to Norway where he served as a map archivist.
In 1951, List met Robert Capa, who convinced him to work as a contributor to Magnum. He turned his interest towards Italy from 1950 to 1961, photographing everything from street scenes to contemplative photo-essays, from architectural views to portraits of international artists living in Italy. He discovered the 35mm camera and the telephoto lens in 1953. His work became more spontaneous and was influenced by his Magnum colleague Henri Cartier-Bresson and the Italian Neo-Realism film movement.
Herbert List’s work has been collected, exhibited, and published internationally. List’s work is held in Centre Georges Pompidou (Paris, France), Fotomuseum im Münchner Stadtmuseum (Munich, Germany), The J.Paul Getty Museum (Los Angeles, CA), ICP (New York, NY), The Metropolitan Museum of Art (New York, NY) Musée de l'Elysée (Lausanne, Switzerland), The Museum of Fine Arts (Boston, MA,) The Museum of Modern Art (New York, NY) and The San Francisco Museum of Modern Art (San Francisco, CA), among others.
Past publications of Herbert List’s work include The Magical in Passing (Silvana Editoriale, Milan, 2014), Herbert List: The Monograph (Ed. Max Scheler with Matthias Harder, texts by Bruce Weber Edmund White. Monacelli Press, New York, 2000), Italy (Ed. Max Scheler, Thames & Hudson, 1995), Herbert List: Junge Männer (Ed. Stephen Spender, Thames & Hudson, 1988,) Napoli e i suoi personaggi (Ed. Vittorio De Sica, Rizolli, 1968) Nigerian images: the splendor of African sculpture (Ed. William Fagg, Frederick A. Praeger, 1963), Caribia : ein photographisches Skizzenbuch von den Caribischen Inseln (Rowohlt, 1958), Licht über Hellas: Eine Symphonie in Bildern (München: G.D.W. Callwey, 1953), and more.
The Fahey/Klein Gallery is devoted to the enhancement of the public's appreciation of the medium of photography through the exhibition and sale of 20th Century and Contemporary Fine Art Photography. Since the gallerys inception, our exhibition program has embraced a broad range of diverse photographers from Edward Weston to Berenice Abbott; Man Ray to Henri Cartier-Bresson; Irving Penn to Melvin Sokolsky; Horst P. Horst to Herb Ritts; Peter Beard to James Nachtwey, among many others. The Fahey/Klein Gallery is a leader in the field of Photography and is respected among collectors and colleagues.